In Preparation

“Home Rule Contemporary: Experimental Art and Self-Determination in Kalaallit Nunaat, 1972-2009.” Book manuscript.

“Summertime Politics: Cultural Resurgence, Resource Sovereignty, and the Aasivik Movement,” Études Inuit Studies, accepted for publication.

Peer-Reviewed Journal Articles and Refereed Book Chapters

“A Monochrome at Ukkusissaq: Pia Arke's Home-Rule Earthworks." October 184 (Spring 2023): 115-146. Link.

“Primary Colors for the Fourth World: The Nonfigurative Sovereignty of Synnøve Persen and Frederik Kunngi Kristensen.” Konsthistorisk tidskrift - Journal of Art History 92:2 (2023): 84-105. Link.

“Jessie Kleemann’s Art of Survival.” Peripeti 37 (2022): 30-43. Link.

“Jessie Kleemann between Orsoq and Turpentine.” In A Cultural History of the Avant-Garde in the Nordic Countries Since 1975, edited by Laura Luise Schultz and Tania Ørum, 304-321. Leiden: Brill, 2022. Link.

“En luktende diskurs – Jessie Kleemann og grønlandsk kunsthistorie mellom spekk og terpentin.” Kunst og Kultur 101:3 (2018): 149-65. [A Stinking Discourse: Jessie Kleemann and Greenlandic Art History between Blubber and Turpentine] Link.

““Et møde som aldrig hører op.” Historiens undergrund i Jessie Kleemanns Hommage til Jord til Scoresbysund.” Tidsskriftet Kritik 216-217 (2016): 6-20. [“An Encounter that Never Ends”: The Subearth of History in Jessie Kleemann’s Homage to Soil for Scoresbysund"] File download.

“Control Mapping: Peter Pitseolak and Zacharias Kunuk on Reclaiming Inuit Photographic Images.” Decolonization: Indigeneity, Education and Society 3:1 (2014): 48-72. Link.

Selected Essays, Exhibition Catalogue Texts, and Reviews

“Arnannguaq Høegh 1978-imi ujarlugu | Looking for Arnannguaq Høegh in 1978.” In Arnannguaq Høegh (1956-2020), exh. cat. (Nuuk: Nuuk Art Museum, 2023), 5-17. (Earlier draft published at Kunst.gl, 2022). File download.

“Invisible Enemies.” Oxford Art Journal 44:3 (2021): 488-492. Link.

“Lights on Lights off: Bolatta Silis-Høegh.” In Exposure: Native Art and Political Ecology, exh. cat., 91-92. (Santa Fe: IAIA Museum of Contemporary Native Arts, 2021).

“My Body Lies Over the Ocean.” In Atlantikumi – Atlanterhavet, exh. cat. (Nuuk: Nuuk Art Museum, 2021). Link.

“Ua-uanga, ua-uanga, ua-uanga. Kinaasunga, video og kroppens feedback.” Neriusaaq 29:1-2 (2021): 32-37.

“Mixed Signals.” Art History 43:5 (2020): 1069-1075. Link.

“Beads on a Thread – Some Reflections on Beading as Performance, Process, Material and Method in the Arctic.” First American Art Magazine 19 (2018): 42-47. Link.

“Akorngusersuineq – En Arketypisk oppstandelse.” Neriusaaq 27:2 (2017): 45-48.

“Sonya Kelliher Combs: Iñupiaq-Athabascan Interdisciplinary Artist.” First American Art Magazine 14 (2017): 58-63. Link.

“Yaaruin (Story Knife).” Otsego Alumni Review (2015). Link.

“Inuk Silis-Høegh: Kalaaleq Filmmaker and Installation Artist.” First American Art Magazine 7 (2015): 64-69. Link.

Edited Journal Issues

(As co-editor) Periskop: Forum for Kunsthistorisk Debat 22 (2019), theme issue: Vækst – Growth. Link.